The 4 Legs of a Pro Shooter’s chair - Leg 3: BUSINESS
The chair of a successful photographer has four legs. You may be able to sit on a chair with just one leg but it won’t take long before you fall over. A second leg might buy you a little extra time on the chair but you will fall. It’s possible to sit on a three legged chair for the duration of a career but it won’t be a comfortable one. So you need a chair with four solid legs if you want to make it as a pro shooter. In the first article we talked about QUALITY and in the second one we focused on SERVICE. In this third part we’ll talk about what most photographers struggle with most: BEING A BUSINESS PERSON.
Let’s face it, we want to be creative artists, not boring businessmen. We want to talk numbers as long as it’s shutterspeeds, f-stops and iso ratings, not profit margins or tax percentages. We want to brainstorm about our first book project, not about marketing our services. Well, it’s time to wake up. If you want to have a good photography business, you’ll have to be a good photographer as well as a business person. Even if you can afford to pay someone to crush the numbers for you, you’ll have to know about that stuff too unless you want to end up with a bankruptcy and a wealthy former assistant.
If you are serious about making a good and long term living out of photography, the place to start is to make a business plan. This is a task that I’ve kept putting ahead of me for a while too when I just got started. But then the moment came that I needed to invest in equipment that I couldn’t pay for at that time. I was lucky that my parents wanted to loan me some money but they needed to be sure that I was serious about this photography thing. Sure, I could have smart talked them into it without too much trouble but I decided that this was a good time to finally make this business plan.
It’s beyond the scope of this series of articles to tell you how to make a business plan but there’s plenty of information on this subject out there. I found free software that helps you getting the right numbers and calculate the outcomes on my bank’s website and on the site of an organization that stimulates starting entrepreneurs. I’m pretty sure, there’s something similar in your area. Speak your plan through with experts (accountant, bank manager).
A biz plan doesn’t have to be about numbers only. Add your marketing strategies, long term goals and predictions to it too. This whole document will be your roadmap and every decision you make should be based on what’s in the plan. It will make you work harder when you haven’t reached your target for the month yet, it will stop you from buying gear that you don’t really need and it be very rewarding when your reach your goal.
Don’t be afraid to go off the track on your roadmap but don’t do it in an impulse. Tweak, change and adapt your business plan when you feel you need to but keep in mind that any change will change the other numbers too.
Business is not something that you do for half a day every six months. There’s the everyday practical stuff, like invoices, taxes, … But I also try to spend at least a few hours a week on just thinking about the business. Thinking of new services, products, investments can be done while waiting for a client to show up or when you are stuck in traffic. Just make sure you can write down your ideas. I usually am too busy to act upon those new ideas immediately but when you have written them down you can review them when you have time for it.
I get lots of questions about how to price a certain assignment and like many other photographer I have felt the need to drop a horse’s head into the beds of those guys who are ruining the business by charging ridiculously low prices. But pricing isn’t a difficult thing at all if you have done your business plan. If you know your costs, figured out how many hours a week you want/can work on actual paying assignments and know how much you want to earn, you can simply calculate the minimum amount of money you have to charge for an hour of work. You don’t have to bill for time, you can also charge per picture or per assignment but by calculating the time you’ll need to make that one picture or assignment you know how much to charge minimally for it. You may charge more than what’s required to keep you afloat, I hope you can. But you should NEVER EVER charge less. If you do, you are cheating on yourself, you are even robbing yourself. If you feel like doing something pro bono, you can, but not in the time you set aside for yourself to make money.
The last important part of being a business person is to make sure you can fill up your shooting time with assignments from clients who want to pay you enough money to live comfortably of your photography. And that’s where MARKETING comes in. Marketing is making sure that the right people know what you do and are convinced that you can provide the services or products that they want at a competitive price. When done wrong it can costs you lots of money and still be ineffective but the good news is that with some clever thinking it can be done effectively on a shoestring too. Knowing your market is key in defining your marketing strategy. Don’t put all your money on one horse but make sure you have what’s called a marketing mix. Use your creativity and you can go a long way.
Being a business person is still the weak spot in my business. But slowly I’m starting to learn something from hitting many walls with my head. I still (and always will) hate paperwork, quotes, … but once you start understanding the principles of doing business, it can become even interesting and fun (in a very twisted nerdy way).
Bert Stephani





Interesting article, thx.
I think most photographers are indeed having problem with running a business. It’s not a common skill and pretty hard to do well.
Your article is a hard reality for many shooters, many are creative but struggle with surviving because they hate the number crunching. I have slowly evolved from a hobbyist into a sideprofession, the switch to a fulltime profession is something I would want to get to in the end. I notice that in the last few years my gear and knowledge have improved, so I have been changing my pricing policies. I know what are the regular prices used in the industry, so I start asking those prices. This means of course I scare some customers away (from before) because they remember the guy with the pointandshoot(prices) from a couple of years ago :-).
I’m still looking for that right marketing mix out there!
Greetz K
Your article is very true for professional photographers, but I think, even amateurs and hobby photographers can profit from it. I don’t make a living from photography. It’s just a hobby to me.
But at some point in time I came up with the idea that it would be cool if I could refinance my equipment. So I started thinking, where are my strength and weaknesses. What do I do best? What could I sell? I did a weekend of thinking, looking at my own pictures. Well, so far I have only refinanced a 580ex2, but the whole proccess gave me a crystal clear view on where I am good at and what my style is…
Thank you for the article.. I’m also currently going through my possibilities and have been thinking for quite some time about possibly going pro in the future. That is my dream and that is why I have also started to put together a business plan.. This article helped me understand the importance of it. Thanks!
thanks a lot! i’m currently estebleshing some photography business as a side project and this will help a lot!
I am an accountant by profession so what you are saying strikes home. I have seen far too many artists fail at what they love because they neglected what they need to learn.
Being an accountant, with a mind that has an interest toward artist has taught me many things over the years. I have to struggle to work on the “artist” part of photography. I set out to learn various things in steps. First composition which I knew I needed help with. Then the mechanics of photography using a DSLR. Now I am working on lighting. I work on each one until I understand it. I suggest those with an “artist” mind do the same thing with the business side. Identify your biggest weaknesses and then set out to learn systematically how to overcome those weaknesses.
Hope this comment helps everyone.
Great job on this article Bert. Looking forward to more.
Thanks guys
I took your advice to heart and created a basic business plan - it was a great way to cement all the things floating around in my head. Not just the money side of things but more importantly for me, the philosophies of my photography.
The last 12 months was a big turning point in my photography, showing me that I don’t want to make a pro living out of it, that I want to pursue personal projects and that I want to combine my photography with helping animals.
I now have goals for not just my business but my life as well.
This is my weakness, I think every artist could do with a business person in mind, especially if they are artist first, biz person second (I have come across some photographers out there that are biz first, photographer second and no doubt they do better in the market!). I am new to this side of things so this is helpful, thanks
Pam :o)
Bert,
This four-legs-of-the-chair series has been a godsend to me; I’ve read and re-read each post multiple times. My pro photography career is in its infancy and I want to do it right. Which means writing a business plan (about as counter-intuitive as it gets for me). I know the first step would be a kind of refined brainstorming…for a guy with a brain that’s all art (my business savviness amounts to not much more than “I’d like to be paid please”), is there a more complete list/template of what I need to include and how to include/classify biz plan info? I’d like to have it pretty well figured out before I speak to an accountant.
Thank you.
Thanks for a good article Bert
Im currently studing photography in a school and I hope to become a professional photographer near future.Im thinking about my pricing also and this gives me a good idea and some hints to do it.