LIME’s Happy Hour : Episode 2

This is Episode 2 of LIME’s Happy Hour, as always we hope you enjoy it and we are hoping to get lot’s of feedback from all of you using the comments or by sending us an e-mail.

In this Episode :

  • General introduction
  • What’s up with LIME ?What have we been doing the past week & what have got in store for you in the near future ? This is where you’ll find out !
  • Dear LIMEIn this section Bert & Pieter will be answering your questions. Got a question ? Please send it to us @ dearlime@squeezethelime.com
    We’ll talk about the pros and cons of the Vivitar 285HV flash and we’ll give you some info on how to prevent your camera from becoming a barbecue when using old flashes with high sync voltages. We’ll also talk a bit more about finding models and how to shoot sensual models without risking a divorce.
  • The feature segmentEvery week we will be talking about one specific subject. This time we talk about being a specialist vs being a jack-of-all-trades.

You can listen to this podcast by using the player below or download it as an mp3 (general) or m4a (iPod/iTunes/Apple) (right click / Save link as).

Featured links in this episode :

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The 4 Legs of a Pro Shooter’s chair - Leg 2: SERVICE

The chair of a successful photographer has four legs. You may be able to sit on a chair with just one leg but it won’t take long before you fall over. A second leg might buy you a little extra time on the chair but you will fall. It’s possible to sit on a three legged chair for the duration of a career but it won’t be a comfortable one. So you need a chair with four solid legs if you want to make it as a pro shooter. In the first article we talked about QUALITY and in this second one we’ll focus on SERVICE.

Today, everyone wants to be a photographer. I don’t know why but for some reason many people feel attracted to the prospect of shooting pretty girls in various stages of undressing, watching sunsets on exotic beaches, being paid to go to crazy parties or just hanging out on the street all day with a camera. The fact is that competition is fierce these days and there are millions of talented people out there who have the same access to information that you have. By ensuring you provide top quality, you’ll position yourself at the upper end of that large group but quality alone will probably not enough to be (and stay) successful.

Quality is what will make clients come to you but SERVICE is what makes them coming back time and time again. It doesn’t matter what field of photography you are in, service is extremely important.

Service starts with you being a nice person to do business with. Be polite, be fun, be helpful, your clients will appreciate that a great deal. Would you do business with a grumpy bastard if there’s someone down the road who sells the same product with a genuine smile on his face? I know I won’t, and I even wouldn’t mind spending a bit more with the friendly guy. Many photographers think that being a pretentious prick is cool. Here’s a surprise … it isn’t.

Another thing I learned is that your smallest clients may become really big ones over time. So never pinhole your clients into classifications. One of my best earning portrait sessions ever was for a single mom who I’d almost turned down thinking she couldn’t afford it. It’s not that she had lots of money but the pictures of her and her daughter where so precious to her that she saved up to buy lots of large prints. In the mean time she has come back to me twice, got me at least five new portrait clients and the company she works for became a big client.
That, my friends, was a pretty humbling experience. Since that day I never judged another book by it’s cover.

You really want to make sure that you understand what your client expects and that they understand what and when you will deliver. The best way to avoid discussions afterwards is to put that in writing. It doesn’t always have to be a signed contract, an e-mail can be all that’s necessary most of the time.
When you promise something, make sure you keep that promise. This implies that you know that you can make that picture even when it rains and that you can meet that deadline even if your computer crashes halfway into the editing.

I believe in exceeding expectations. I even made it a business policy. I always try to deliver better and more pictures in a faster turnaround time than agreed upon. People will remember the photographer that delivered more than promised. And in the rare occasion that things get screwed up really bad, I’m the one who has some more leeway to fix things than the guy who promised something he can deliver only 90% of the time.

You may want to not overdo this exceeding thing. If I promised a turnaround time of five days, I will present the picture in three of four days even if they have been processed on day one. Clients will get used to your service over time and some will expect it even if it’s not what’s agreed upon. You don’t want to set the expectations higher than you know you can deliver time after time.

Some photographers charge an extra fee for rush jobs. I’m not against it but I usually don’t do it myself. I’ve saved a good amount of people’s asses by making the impossible possible. It happens that an employee of one of my clients screws up and thinks about hiring a photographer way too late. If you can help that person out by juggling your schedule or maybe hire another photographer who you trust, that person will be very thankful to you, believe me. Don’t get cocky about saving his butt and don’t mention the ordeal you went through to make it happen to his boss.
I’m pretty sure you could have charged 10% extra for such a rush job but then that person doesn’t have to be thankful to you, he payed for it, right? Not charging extra makes this guy your best sales rep within his company.
Again, you don’t want to overdo this thing to avoid taking advantage of your goodness.

You need to establish the level of service that your market wants. Talk to your clients to find out and make sure you meet that level. This will give you a good foundation to build upon but why don’t you take it a step further. Think about ways to provided an added value to your clients. If you offer some relevant services that none of your competitors does, you don’t have any competitors anymore.

I worked in some corporate jobs before I finally made the jump to photography and one thing that all big companies have in common is the use of SLA’s or Service Level Agreements. They have this document that states the minimum service that has to be provided by the company to it’s clients. I think it’s a good idea to write your own SLA so you always have a guideline.

A good service level is what allows you to be THE photographer instead of A photographer. All my corporate clients have a pool of photographers and I started out being just a photographer in that pool. By being easy to work with, constantly exceeding an already good service level and saving someone from being fired from time to time, I’ve become THE photographer in the pool even though I’m not the cheapest of the bunch. Take the plunge, improve your service and become THE photographer.

This article is the second in a four part series. You can read part 1 here.

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What do you want for Christmas ? A workshop perhaps ?

Ah Christmas time … the whole family gathers, gifts are exchanged. Your husband, wife, boyfriend, girlfriend, mom or dad hands you your beautifully wrapped present. You (well at least I do :-) ) tear it apart filled with expectation. Did she really buy me that new lens I’ve been longing for all year ? Maybe she got my hints about that new camera I’ve been drooling over ? The paper comes off, you throw it over your shoulder and open the cardboard box, you dig and pull out the long awaited gift … WHAT ? Another sweater ? Damn it !!!!!

What if you could replace that big (potentially useless) gift with something that can not only provide you with a crazy fun filled day but also actually make you money in the long run ?

To solve that problem we have come up with a SqueezeTheLime gift voucher. They are available with a 50, 100, 150 or 200euro value and are valid throughout 2009 ! You can also get a gift voucher for any of our workshops and shooting days.

Make someone very happy & help them evolve into a better photographer AND let them experience a crazy fun day with other like-minded people by clicking Here (please provide us with the desired voucher value & your contact information). We’ll make sure it lands in your mailbox in time for Christmas Eve !

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VIDEO : Bert shoots Erika on Location

The launch of LIME wouldn’t be complete without a photography video. We believe that video can be a really powerful tool to educate and get inspired so we are going to produce lots of video’s on different topics for you.

In this first video I’m going to take you on a shoot with my favorite model Erika in an abandoned factory. This video is not about the exact settings on my camera or flashes because circumstances will never be the same if you shoot something similar. This video is about how I allow one lighting setup to lead to another … and yet another. I usually start out with some elements and techniques that are familiar to me but whenever I have the time I don’t stay with what’s familiar. I really love the process of altering the lighting setup until it becomes something completely different than where I started. Surprising yourself keeps photography fun and will dramatically improve your skills.

VIDEO


Erika on Location by Bert Stephani from SqueezeTheLime.com on Vimeo.

In case you can’t play the video, you can also see it on YouTube.

For a better version of the pics, check the Flickr slideshow below.

I hope you liked watching this video as much as I did making it.

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LIME’s Happy Hour : Episode I

This is Episode 1 of LIME’s Happy Hour, as always we hope you enjoy it and we are hoping to get lot’s of feedback from all of you using the comments or by sending us an e-mail.

In this Episode :

  • General introduction
  • What’s up with LIME ?

    What have we been doing the past week & what have got in store for you in the near future ? This is where you’ll find out !

  • Dear LIME

    In this section Bert & Pieter will be answering your questions. Got a question ? Please send it to us @ dearlime@squeezethelime.com
    Have you been wondering what wireless triggers to buy, where to find a model, how to overpower natural light or what type of camera strap Bert uses ? Well, this is where you’ll get your answers !

  • The feature segment

    Every week we will be talking about one specific subject. This week’s subject is coöperation : why would you want to shoot with other photographers & can it help you improve your skills ? Listen & find out !

You can listen to this podcast by using the player below or download it Here(right click / Save link as).

Featured links in this episode :

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The 4 Legs of a Pro Shooter’s chair - Leg 1: QUALITY

The chair of a successful photographer has four legs. You may be able to sit on a chair with just one leg but it won’t take long before you fall over. A second leg might buy you a little extra time on the chair but you will fall. It’s possible to sit on a three legged chair for the duration of a career but it won’t be a comfortable one. So you need a chair with four solid legs if you want to make it as a pro shooter. In this first article in a series of … well, four, we are going to look at the first leg: QUALITY.

To me the first and most important asset you need if you want to go pro is QUALITY. The days where you could be just an ok-ish photographer are over. There’s too many ok-ish amateurs out there who are jumping to do that assignment for free or just a name credit. You will need to distinguish yourself from the masses and the only lasting way to do that is by offering quality, high quality.

Before you start charging for your work, make sure that you can provide a high level of quality  anytime, anywhere, whatever happens. No matter how talented you are, you’ll need to study, practice and be your own most demanding critic. Just the stuff you’ve learned in school won’t cut it, The good new is that these days there is so much information easily available: blogs, webpages, forums, books, podcasts, DVD’s, workshops, …

Then there’s technical quality. An ad agency probably won’t be thrilled with that shot you took with your compact cam at iso 800. And that bride who’s wedding you shot with a Holga because the battery of your DSLR was dead, will probably take you to court.
I’m not saying that every pro need a Hasselblad H3D and a truck full of lighting equipment. I started out with a Canon 30D, a 300D (the original Digital Rebel), some good glass and two flashes. And that was good enough for the kind of work I was doing at that time. Know what your target market expects and buy the stuff you need (not the stuff you WANT). Don’t forget that you can always rent the things that you need only on few specific jobs.

Quality doesn’t mean that you can produce a stunning shot every now and then. At least, you need to be able to make decent pictures every single time. If you get to the point where you can make stunning images most of the time, you’ll do really well.
There is NO excuse for messing up. Be prepared for anything that can go wrong. Have a plan B, plan C, … When your experience grows, you’ll get more techniques, tricks, references and solutions in your toolbox that make improvising easy. When you start out, make sure you invest enough time and energy in planning, scouting and imagining different scenario’s. That will give you something to fall back onto in case things don’t go as expected. Having backup plans will boost your confidence and keeps your head cool.
On most jobs I feel confident enough about my improvising skills, but anytime I do a high end assignment that’s kind of new to me, I put the time and effort into planning and make sure I have everything covered.

You’ll need to set the same quality standards in all aspects of your work. In this digital age, most photographers often think they need to be not only a good snapper but also a skilled lab technician, a retoucher, a printer, … But it doesn’t necessarily have to be that way. I for one, am not very good at printing and I’m a mess when it comes to framing, mounting and basically anything that’s more complicated than pouring a cup of coffee. I know that, so instead of trying to learn the impossible, I outsource all my printing, mounting and framing to a pro lab. I pay them good money for their services but still less than I lose messing around with it myself. This buys me more time to do what I’m good at and love most: shooting.
Concentrate to become even better in what you are good at and find reliable partners for the other stuff that share your vision and quality standards.

Finally, quality is not an arbitrary standard, it evolves with time. And in the last decade the evolution has been fast, really fast. Personally I don’t think that evolution will slow down anytime soon. So you’ll have to work hard to stay on top of your craft throughout your whole career. Never think you know it all.

What are you still doing here? Start studying, shooting, post processing or printing right now!

Bert Stephani

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LIME’s Happy Hour : Episode 0

This is Episode 0 of LIME’s Happy Hour, and it’s our first real try at making a podcast. Bare with us while we learn & improve our podcasting skills :-)

In this Episode :

  • Who are Bert Stephani & Pieter Van Impe

    Wondering who we are ? Wonder no longer :-)

  • Introduction to LIME

    What is lime all about ?

  • The birth of LIME

    Bert & Pieter tell you how a tiny LIME seed grew out to a full blown LIME

  • Who is LIME for ?

    The title says it all !

You can listen to this podcast by using the player below, or download it Here (right click/Save link as).

Featured links in this episode :

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Let’s Squeeze it !!!

After more than six months of hard work, many meetings, shoots, lots of limes and living like a zombie, we are really happy and proud to present LIME, a project for photographers by photographers. The last few days have been hell, since we both had to fight a severe shortage of sleep and the flu. But we hung in there because we were really keen on getting LIME launched at the promised date.

LIME stands for Learn, Inspire, Motivate and Experience and we want to make that happen both online as in the real world. Take a look around at our site and find out what this is all about.

Your input on the site, the content, the workshops, … is very valuable to us, so hit the comments or drop a line in our mailbox.

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